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Shooting Pano LA has been the most ambitious, challenging, demanding, and rewarding project I have worked on to date. It was shot over a period of two years entirely in true panoramic form using two synced DSLR cameras side by side. The resulting panoramic timelapse footage comes in at a whopping 10K x 4K resolution when stitched. I did not shoot this film to achieve the extreme resolution. I shot it for the panoramic look, especially the compressed look you get when using long lenses. Shooting panoramic timelapse was something I had always wanted to do. I love panoramic images and wanted to bring that look to timelapse, and I wanted to do it proper, not by faking it by just cropping the top and bottom of regular timelapse shots. I gave it a try many years ago but was never able to get the images from the two cameras to sync properly and get the images to stitched together correctly. A couple years ago I was contacted by a client wanting some panoramic timelapse shots of LA. I told them I had tried it in the past and it did not work out to well, but that I am willing to give it another try. So I purchased some new gear and set out to my local testing locations in Malibu. The initial shots were successful so I continued shooting / testing for the next couple weeks. At that point I had acquired a few good test shots to show the client and sent them over to them. Long story short I never heard back from them about the project, but I kept shooting anyways. If it was not for that failed job/project I probably would have never got around to giving panoramic timelapse another try. For licensing inquiries: Please email me using the contact form on my site for the quickest response ( scientifantastic.com/contact-us-new/ ). All footage available in 10K, 8K, 4K resolutions and multiple aspect ratios. You can follow me at: Facebook – facebook.com/joe.capra.5 Instagram – instagram.com/scientifantastic Twitter – twitter.com/scientifantasti Website – scientifantastic.com Email – joe@scientifantastic.com Music: “Death in a garden” by Lowercase Noises ( lowercasenoises.com/ ) Gear Used: 2 Canon 5DIII cameras 2 of each Canon 24-70mm, 24-105mm, and 70-200mm lenses Custom build panoramic rig RamperPro Custom dual trigger intervalometer Motion Control: Kessler Crane TLS with Second Shooter ( kesslercrane.com/ ) A big THANK YOU to: Chris Pritchard ( chrispzero.com ) Dustin Kukuk ( instagram.com/drkanab ) Andrew Walker ( 599productions.com ) Colin Rich ( deer-dog.com ) Matt Givot ( timeflymedia.com )